Jeremiah 18:1-11
July 20
David A. Davis
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The potter and the clay. As in “Have thine own way, Lord! Have thine own way. Thou art the Potter. I am the clay.” I am guessing I am not the only one who has that hymn etched somewhere deep within. The potter and the clay. “O Lord, you are our Father; we are the clay, and you are the potter; we are all the work of your hand.” The prophet Isaiah, chapter 64, verse 8. The potter and the clay. An old biblical image. An old metaphor about God and humankind. Just an old, worn-out sermon illustration. The potter and the clay. The Apostle Paul, when he is trying to work out election and covenantal theology and God’s relationship to Israel amid his argument in Romans, pulls out the example of the potter and the clay. “Has the potter no right over the clay, to make out of the same lump one object for special use and another for ordinary use?” (Romans 9).
Here in the work of the prophet Jeremiah, in the text offered for your reading and hearing, it’s the potter and the clay. The prophet offers perhaps the most familiar biblical use of the potter and clay analogy. But Jeremiah doesn’t just pull out the old illustration. The prophet doesn’t just drop it in. Jeremiah goes down to the potter’s house. The word of the Lord came to Jeremiah: “Come, go down to the potter’s house, and there I will let you hear my words.” Jeremiah went down and watched and waited and listened. The potter was working at the potter’s wheel. Something went wrong with the pot there in the potter’s hands. It didn’t look right, feel right. So, the potter reworked it. The potter kept the wheel spinning, shaping a new, fresh vessel from the clay. The potter did what the potter thought best, what seemed good. The prophet/proclaimer Jeremiah watched and listened.
There at the potter’s house, Jeremiah didn’t just toss in an illustration. The potter and the clay. Jeremiah sat there and took in a rather ordinary slice of life and listened for the voice of God. Jeremiah took in what was far from a unique experience, a potter sitting at the wheel, and he waited for a word from the Lord, for God had promised to let him hear. Jeremiah went to the potter’s house to take in the promise of God.
I preached my first sermon in seminary in this chapel in the fall of 1987. I was wearing a brown tweed jacket with patches on the elbows, khaki pants, a cream-colored dress shirt, and a brown knitted tie. It was the 80s after all. The first words of feedback came from a teaching fellow who was doing a PhD in preaching. The person told me that my sermon was like my outfit, “drab and boring”. That experience has absolutely nothing to do with this sermon, but I have thought about it several times this summer as we worship in this space!
I hope my comments to students in the preaching classrooms on this campus were more pastoral. One thing I learned to share with new preachers was the danger of an illustration. It’s not great if the listener remembers the illustration and nothing else about the sermon. Similarly, a preacher struggling with a sermon is never just one great illustration away from making it a memorable sermon. Preachers often mistakenly spend hours searching for an illustration to make the point rather than trusting their observations of the ordinary and inviting the hearers of the word to feast on the promise of God.
One wonders how long Jeremiah sat there watching, waiting, and listening in the potter’s house. When Jeremiah went down to the potter’s house, he would have brought it all with him: his call from God, his desire to speak to the people of God, his lament, his concerns, his prophetic heart, his heavy prophetic heart burdened by the disobedience of God’s people. He would have been carrying it all. His view of the world. The suffering of a nation. Devastation and destruction at the hands of the Babylonian Empire. Jerusalem on the brink. The end of temple life. The end of the monarchy. A people’s relationship to God is redefined. The faithfulness of God is reaffirmed. The faithlessness of the people was called out. Jeremiah would have brought it all with him down to the potter’s house. All of life. God. Israel. The present. The past. The future. Jeremiah brought it all to the potter and the clay. Then the word of the Lord came to him. “Can I not do with you, O house of Israel, just as this potter has done?… Just like clay in the potter’s hand, so you are in my hand.” Down at the potter’s house, Jeremiah heard a word of judgment and a call to repentance.
Like any illustration, any metaphor, any analogy, any parable, if you try to explain every part of it, it just sort of crumbles. If the potter is God and God has the vessel in God’s hands the whole time, if the wheel is always spinning, how could God create something that is spoiled? If the potter destroys one vessel and creates a new one, but it’s the same clay, is it really just the same substance, the same object, the same vessel? If the potter determines to destroy a particular piece so another one can be crafted that is better, does that mean that the first vessel became spoiled of its own free will? What about all the clay pots that decide to follow their own plan, spin their own wheel, and be shaped by their own humanity? The divine potter and the clay that is so utterly human. Any illustration, any metaphor, any analogy, any parable can be pounded into submission.
The invitation here is to step into the potter’s house; to listen for a Word from the Lord, to yearn for the very presence of God amid the most ordinary places of life, to seek to hear the promise of God while bringing with you everything you have to bear. Not just the prophet Jeremiah, but you and me. Those of us called to be hearers of the Word. You. Me. The potter. The clay. The potter is working at the wheel. With hands around the clay, the potter transforms one vessel in another, another that seems good. We watch, wait, and listen, even as we bring it all with us, all of life, all of the world. God. You. The past. The present. The future. The potter and the clay.
Spending two weeks traveling with a group of twenty-something people in Northern Ireland and Scotland wasn’t easy for me. I am actually an introvert on the Myers-Briggs inventory. One of the ways I would recover was on the many bus rides we took. Backpack in the seat next to me. Ear buds in. Lots of time to take in the scenery, the landscape. I realized that the last time I was in Ireland and Scotland, I was the one doing the driving on the other side of the road with a stick shift to my left. I never saw anything. I was told the Cliffs of Moor and the Ring of Dingle were beautiful, but I only saw the road. In preparation for our trip, we were assigned homework. We read a lot about the history and centuries of conflict, both in Scotland and Northern Ireland. Our bibliography included watching the Derry Girls. In all that we read about what they refer to in Northern Ireland as “The Troubles”, there was no mention about how absolutely beautiful it is. The scenery. The landscape. The view of the sea. Sunset at 10:30 at night. Even on cold, windy, rainy days. Beautiful. Just beautiful. I looked out that bus window one morning in Northern Ireland, just a few miles from where the British Open is being played this weekend, listening to Brahms’ German Requiem. The choir is singing in German. “How lovely is thy dwelling place O Lord of Hosts. My soul, it longeth, yea fainteth for the courts of the Lord, my soul and body, crieth out, yea for the Living God.” It was as if I were absolutely alone on that bus. Well, me and God. It was then that I thought about how God’s good creation, how God’s beauty, how God’s creating still, is a kind of act of divine resistance amid humanity’s lust for conflict, violence, and power. Observing the ordinary and inviting hearers of the word to feast on the promise of God. God’s creating still. God’s wheel still spinning. As Marilynne Robinson puts it at the end of her lecture on “hope”, Jesus’ healing and feeding, and teaching let us see that the good that matters to mortal us also matters to the Eternal God. And that is reason to hope. The potter and the clay.
“Just like clay in the potter’s hand, so you are in my hand.” There in the potter’s house, Jeremiah heard a word of judgment and a call to repentance. I don’t know about you, but for me, I find myself sitting before the potter and the clay, watching and listening, pondering the potter and the wheel, the artist’s hands, the clay pots. And what I hear, what I feel, what I experience is a promise. A promise that my life, that all the days of my life, that everything I have to bring, that all of life, is now and forever shaped by the hand of God. That those I love most and those I have yet to love, that the present, the past, and the future, that my view of the world, that my lament for it and my gratitude for the beauty of God’s creation, that my life as your pastor and a preacher, that everything I bring with me to the potter’s house are held in the precious hands of God. The wheel is still spinning. The potter is still working, shaping, molding this old and growing older clay pot. I can’t explain it any further than that. I don’t choose to figure it all out or run it into the ground. Just like any work of art, a piece of music, or a glimpse of God’s creation, some days, maybe most days, it is better to just watch and listen. When I come down to the potter’s house, I find myself feasting on the promise of God. How about you?